An excerpt from D22go.
March 14, 2012

One sixteen-year-old girl in remission (for the third time)? Check.

One road trip to confront your bio-mom once and for all? Check.

One unfriendly, arrogant guy to share the ride? Check.

One Mille Bornes list, with ten must-do items? Check.

Falling in love? Check again.

    

     Mama Rhonda throws up her hands, her ample frame, made up half-of-boobs, surely swift enough when it comes to exiting hospital rooms. “I give up on this impossible child!”

     My mom stirs in the chair, where she’s slumped over her Better Homes and Gardens magazine, snoring softly. “What’s going on,” she says, half-asleep.

     Through the curtain between the beds, I hear Flipa sobbing. I ache, to hold her. But I’m scared of Mama Rhonda. Scared that, one day, she’ll turn the loathing on me, and forever separate me and Flip, out of spite.

     “Shhhh. If Mama Rhonda doesn’t come back in ten minutes, I’ll go to Flip.”

     “What happened?”

     I rattle off what she missed.

     “Flip is on a breakfast kick. It’s the only food that doesn’t taste like metal. She’ll only eat Moons Over My Hammy. Denny’s is twenty minutes away. Mama Rhonda wants to go home. She has a movie coming on at seven.”

     “That woman.” My mom’s face is fierce. Like, Nurse Loretta fierce. She stands up. “Flipa is eight-years-old on chemo, for chrissakes. She’s lucky she’s even eating.”

     “Mom – wait! Where are you going? I don’t want Mama Rhonda to think –”

     “Like that woman ever thinks. Calm down. I’m driving to DENNY’S.” My mom says the last so loudly, I’m sure they can hear her all the way to the nurse’s station. “And we’re ALL having MOONS OVER MY HAMMYS. As a matter of fact, Payson and FLIPA,” she shouts, “are getting TWO MOONS OVER MY HAMMYS. One for NOW, and one for LATER. They can have ANOTHER ONE, if they want, TOMORROW and the NEXT DAY and the NEXT DAY.”

     The sobs behind the curtain subside into tinkling laughter, like wind chimes turning the storm around.

     Mom bends down and holds me tight. It hurts the incision in my chest, but I don’t care.

     “You’ll be okay while I’m gone?”

     I nod, swallowing the tears, my eyes like smiling up from the bottom of a pool. I catch her hand, as big as a raven, to me.

     “I love you, Mom.”

     She stops to regard me in the bed, and she smiles. A before smile.

    “If that woman upsets Flipa one more time, you call Nurse Loretta. I don’t care.”

     “I will.”

     My mom picks up the remote control, and the tv bolted to the ceiling flips from The Price is Right, to the Disney channel. She disappears around the curtain. A moment later –

     “Here you go, darling. Watch what you want.”

     “Thank you, Mrs. Iron Horse.”

     That’s what Flipa calls my mom, and we’ve never corrected her.

     Because for all intensive purposes, that’s how strong my mom is, too.

 

From D22go (dah-go) by Emily Murdoch

Sold Dutch and German Rights For The Patron Saint Of Beans!
March 5, 2012

The official post. : )

Here it is, from Publisher’s Marketplace:

International rights: Fiction
Rights to Emily Murdoch’s THE PATRON SAINT OF BEANS, to Heyne in Germany, by Agence Hoffman, and Van Goor in the Netherlands, by Mo Literary Services, on behalf of Taryn Fagerness Agency and Mandy Hubbard of D4EO Agency.

I couldn’t be more excited at the thought of sharing my novel abroad. It’s looking like it’ll come out in the Netherlands approximately Summer 2013, and I’m not sure yet of the date for Germany.

I can’t wait to hold these two versions in my hands, even if I can’t read them, myself!

I wish all writers the same good fortune and this same amazing feeling.

Last but far from least, a huge thank you to Taryn Fagerness and her sub-agents, and to Mandy Hubbard, and Bob Diforio. I’m luckiest of all to be in such capable, wonderful hands. : )

“The harder I worked, the luckier I got.”

Paula Deen

Fairy Dust or Hard Work?
May 27, 2011

Ernest Hemingway's desk in his house in Key West.

So the writer can only do his or her part to the best of his ability and place himself in the best position for the next steps. There are ways to get noticed, but still no guarantees.

Editor Beth Hill    Click here: Editor’s Blog  

Exactly.

I’m of the camp that believes a writer can make their own luck through hard, hard work. In a sense, the first part of an author’s career is an apprenticeship to Writing. To experiment, practice, (and above all), write. Again, dare to suck. The only way to write amazing, get-noticed material is through writing dull stuff, wrong stuff, first drafts, embarassing ideas, the grocery list, if necessary, as long as you keep the pen (or keyboard) moving.

When we write, we train our brains to write. To think. To create. It’s no different than anything else we do, from drawing, knitting, riding, *fill in the blank*. We don’t draw perfect people, knit perfect sweaters, gallop and sidestep right out of the gate. First, we learn. We practice, put in the hours. Study what those further ahead of us know. Be willing to fail. But, also be willing to get back up, get back to the page.

Neither magical thinking  nor daydreams of ones books on the shelves will make it happen over the long haul. The best tool a writer has is hard work — to keep writing — to persevere.

Every day is a new page.

Dare To Suck. That’s right, Writers.
April 22, 2011

It’s Friday, I’m happily pounding the keys as I work on revisions (very exciting!) and a light beer is beckoning, not to mention ranch chores, so let me make this short and sweet.

Dare to suck. Doooo it.

Daring to suck means you’re thinking, writing, practicing, evolving. There’re no edits, no rewrites, no revisions, no polishing — no words – if you don’t first dare to suck.

And you just might find, as you read your words back, that they’re not so bad, after all.

Good writing, everyone.

The Patron Saint of Beans
March 29, 2011

The Patron Saint of Beans

The storyline for this YA novel was inspired by a news story on parental kidnapping/alienation.

Violin prodigy Carey Benskin spent the majority of her fifteen years hidden away in the Obed Scenic and Wild River National Park, with her mute little sister, Jenessa, and their bipolar mother, Joelle. She didn’t expect Mama to go into town for supplies and vanish off the face of Tennessee, leaving the girls no choice but to return to the father who abandoned them long ago … or did he?

~*~

Usually, I would now include the first five pages, Kindle-sample-style. But, as an agented writer, I’m unsure about the protocol when it comes to first rights and manuscript excerpts.

I’ll find out and be back to post the pages if given the green light.

In the meantime, this novel is now in my agent’s hands.

UPDATE: I’ll be doing further revisions, but the manuscript has been accepted as my next novel!

 Not all of a writer’s manuscripts are guaranteed representation, even by a writer’s own agent. Scary, if you’ve never thought that far ahead. Yet, on the other hand, if a manuscript is a clunker, your agent is protecting your name and brand by refusing it.

Unless the writer disagrees …

You can read more about that particular twist in the road at agent Jennifer Laughran’s blog:

 Jennifer Represents…: When Your Agent Isn’t Feeling the Love

Thank goodness my agent felt the love!

I’ve loved books my entire life. As a writer with a manuscript on submission to editors, I appreciate books (especially their brave, hard-working authors!) that much more.

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